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SHADES OF LOVE

Release date: 11.08.2020

Camille Saint-Saëns (1835 - 1921)

Si vous n’aves rien à me dire (Victor Hugo)

Reynaldo Hahn (1874 - 1947)

À Chloris (Théophile de Viau) 

L’heure exquise (Paul Verlaine)

Nikolai Rimsky-Korsakov (1844 - 1908)

Na kholmakh gruzii Op. 3/4 (Aleksandr Pushkin)

Sergei Rachmaninov (1873 - 1943)

Ne poy krasavitsa Op.4/4 (Aleksandr Pushkin)

 

Gabriel Fauré (1845 - 1924)

Après un rêve Op. 7/1 (Italienischer Text: Anonym,

französische Übersetzung: Romain Bussine)

Paolo Tosti (1846 - 1916)

Sogno (Lorenzo Stecchetti)

Robert Schumann (1810 - 1856)

Widmung Op. 25/1 (Friedrich Rückert)

Stephanus Le Roux Marais (1896 - 1979)

Heimwee (J.R.L. van Bruggen)

Nathan Julius - Countertenor

Lukas Loss - Klavier

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Born and raised in Cape Town, Sopranist (Male soprano) Nathan Julius was almost immediately plunged into a hub of music, and hasn’t left ever since. Nathan soon saw his musical ambition heighten after watching a presentation by the renowned Drakensberg Boys Choir School. His journey began upon being accepted and attending this renowned music school, working with South Africa’s best and being blessed with unique opportunities. Bea de Wit (pianist) and Johann van der Sandt (conductor) were amongst the musicians that inspired him to strive for excellence in every performance. Nathan has toured extensively across Europe with the Drakensberg Boys Choir as a soloist and chorister, and has been exposed to much acclaim in world class venues. In his final year at the music school, boy soprano Nathan started to experience a change in his voice. He decided to counteract nature’s course, and train his soprano register consistently to retain his crystal tone. He fully became a sopranist in his years at Hilton College, under the training of Jaco Dippenaar, and
various master classes with experienced vocalists, Antionette Blyth (UCT lecturer), Catherine Wyn-Rogers (UK Opera singer) being a few. After receiving his distinction in Grade 8 Voice in 2015,


Nathan was soon able to expand his vocal prowess by performing with many well-known artists in South Africa and abroad, including a performance of Handel’s Messiah with Richard Cock and Jo’burg Festival Orchestra as alto soloist, and Haydn’s Creation with the KZN Philharmonic Orchestra.

 

He has also performed in the Cape Minstrels’ Singing Competition, coming 2nd place, and featured as a soloist on a CD produced by the Midlands Chamber Choir (under the direction of Jaco Dippenaar). A highlight in his singing career was sharing the stage with Julliard Graduate and Opera singer Laetitia Grimaldi Spitzer, and piano virtuoso Ammiel Bushakevitz in late May 2016. In 2017,


Nathan attended The University of Cape Town Opera School for a semester until he took up his studies in singing, specializing in early music performance practice at the Schola Cantorum Basiliensis, Basel. Studying now with Rosa Dominguez, Nathan’s goal is to break any barriers confronting the countertenor voice by including a vast variety in his repertoire. At the schola, Nathan has taken part in a master class series by Margreet Honig and has been in a few projects with Maestro Andrea Marcon. Remaining in Basel, He continues his Master’s degree in September 2020.

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Lukas Loss (geb. 1997 in Basel) absolvierte seinen Bachelor (Summa cum Laude) und Master in Klavier an der HSM Basel bei Claudio Martínez Mehner sowie bei Anton Kernjak. Weiterer Unterricht bei Jan Schultsz, Rafael Rosenfeld, Felix Renggli, Thomas Demenga, Michel Roth, Marc Hantaï; in der Schola Cantorum Basiliensis studierte er Cembalo bei Andrea Scherer. Meisterkurse bei Ferenc Rados, Heinz Holliger, Oliver Schnyder und weiteren.

2018 führte er als Solist mit dem Symphonieorchester Basel unter der Leitung von Christoph Gedschold im Musical Theater Basel R. Strauss' 'Burleske' auf. Mit dem Akademischen Orchester Basel unter der Leitung von Iwan Wassilevski spielte er F. Chopins Klavierkonzert Nr. 1 in der Martins- und Pauluskirche Basel. Mit dem Brassensemble der Musikschule Basel führte er G. Gerschwins 'Rhapsody in Blue' im Stadtcasino Basel und in der Dorfkirche Riehen auf. Er ist Korrepetitor und

Vizedirigent bei vielen verschiendenen renommierten Chören, u.a. beim Chor der Universität Basel; er dirigiert auch seinen eigenen Chor (Alumni KKB). Von 2016 bis 2018 war er Vizedirigent ad.int. bei der Knaben Kantorei Basel (KKB). Engagementsbei den 'Basler Madrigalisten', den 'Männerstimmen Basel', 'Studienchor Leimental' und weiteren Chören; Korrepetition bei Sängern wie Hanno Müller-Brachmann, Nathalie Mittelbach, Michael Feyfar, Robert Koller und weiteren. Mit dem 'Basel

Piano Trio' und dem 'Trio Casu' gibt er Konzerte in Spanien (z.B. Fundacíon Vidal), Deutschland und der Schweiz. Lukas Loss geht an Wettbewerbe in ganz Europa und gibt regelmässig Solorezitale, u.a. führte er in der Elisabethenkirche Basel Bachs Goldberg-Variationen auf; in der 'Swiss Foundation for Young Musicians' ist er häufig zu Gast. Im Dezember 2019 führte er mit dem Bariton Arion Rudari im Casino Bern Schuberts 'Winterreise' auf. Konzerte im 'Museum Kleines Klingental', 'Kulturraum H95', 'Grande Société Berne' und weiteren. Duo-Konzerte in Portugal und Teilnahme an Festivals in Frankreich und der Schweiz, z.B. im Fesitval 'En Blanc et Noir' in Lagrasse und 'Seeds Festival' in Basel.

www.lukasloss.ch

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